原作 ................ 有吉佐和子 　　1968年大映。今井正監督。田宮二郎主演。若尾ちゃん３５才の時の作品。正妻岡田茉莉子と愛人若尾ちゃんが鉢合わせになるシーンは恐ろしかった。二人のバトルは前年公開の「妻二人」に続くもの。

原作 ................ 有吉佐和子 　　1968年大映。今井正監督。田宮二郎主演。若尾ちゃん３５才の時の作品。正妻岡田茉莉子と愛人若尾ちゃんが鉢合わせになるシーンは恐ろしかった。二人のバトルは前年公開の「妻二人」に続くもの。

电影《繁华世纪》改编自义大利女记者、作家奥里亚娜法拉奇（Oriana Fallaci）的传奇故事，剧情透过一名新闻新鲜人丽莎的眼睛，以新世代观点，直视并质疑法拉奇犀利争议的采访方式与狂野不羁的 极致人生。这位出身游击队，后来摇身为叱咤风云的女记者，传奇一生都与世纪大事紧紧相扣。她因为亲上火线，将战火实况、革命真相公诸于世，甚至亲访过季辛吉、甘地、邓小平、阿拉法特等30多位世界级领袖，被誉为「直视历史的伟大记者」。 　　与世纪人物的访谈，常是智力的较量。法拉奇思维敏捷，尤擅「海盗式」提问，为后辈留下堪称典范的采访艺术。她曾天外飞来一句「祝你生日快乐」，成功解开邓小平对她的心防；也曾让南越总理阮文绍落入提问圈套，间接承认他藏在瑞士银行的「海角七兆」。最猛的是，她的专访还使美国前总统尼克森，认清了国务卿季辛吉的狡猾越权。法拉奇最为世人津津乐道的是，有次她专访伊朗狂人领袖何梅尼，竟当他面前摘掉黑头纱以示抗议，惊人胆识连男性都自叹弗如。但身为女人的她，却因为和希腊反抗英雄帕纳古利斯（Alexandros Panagoulis）的轰烈爱情而遍体麟伤，甚至为他怀孕，陷入了作为战地记者和母亲双重身分的矛盾与挣扎…。 　　特立独行的法拉奇，年轻时曾发誓，既不结婚也不生孩子，她虽做到了，却也让她抱憾终生。电影《繁华世纪》邀请到义大利影后薇多莉亚普契尼（Vittoria Puccini），来饰演这位传奇女记者，除重现她撼动人心的采访历程，也演出她终未能成为一名母亲的遗憾…。作为记者，她的精彩成就足以笑傲同业；但作为一个女人，她是否也同样满意自己的人生和选择？电影《繁华世纪》给了极坦率直白的答案。

电影《繁华世纪》改编自义大利女记者、作家奥里亚娜法拉奇（Oriana Fallaci）的传奇故事，剧情透过一名新闻新鲜人丽莎的眼睛，以新世代观点，直视并质疑法拉奇犀利争议的采访方式与狂野不羁的 极致人生。这位出身游击队，后来摇身为叱咤风云的女记者，传奇一生都与世纪大事紧紧相扣。她因为亲上火线，将战火实况、革命真相公诸于世，甚至亲访过季辛吉、甘地、邓小平、阿拉法特等30多位世界级领袖，被誉为「直视历史的伟大记者」。 　　与世纪人物的访谈，常是智力的较量。法拉奇思维敏捷，尤擅「海盗式」提问，为后辈留下堪称典范的采访艺术。她曾天外飞来一句「祝你生日快乐」，成功解开邓小平对她的心防；也曾让南越总理阮文绍落入提问圈套，间接承认他藏在瑞士银行的「海角七兆」。最猛的是，她的专访还使美国前总统尼克森，认清了国务卿季辛吉的狡猾越权。法拉奇最为世人津津乐道的是，有次她专访伊朗狂人领袖何梅尼，竟当他面前摘掉黑头纱以示抗议，惊人胆识连男性都自叹弗如。但身为女人的她，却因为和希腊反抗英雄帕纳古利斯（Alexandros Panagoulis）的轰烈爱情而遍体麟伤，甚至为他怀孕，陷入了作为战地记者和母亲双重身分的矛盾与挣扎…。 　　特立独行的法拉奇，年轻时曾发誓，既不结婚也不生孩子，她虽做到了，却也让她抱憾终生。电影《繁华世纪》邀请到义大利影后薇多莉亚普契尼（Vittoria Puccini），来饰演这位传奇女记者，除重现她撼动人心的采访历程，也演出她终未能成为一名母亲的遗憾…。作为记者，她的精彩成就足以笑傲同业；但作为一个女人，她是否也同样满意自己的人生和选择？电影《繁华世纪》给了极坦率直白的答案。

Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.

Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.